GOD & the Gods: Runes

I first became interested in runes, and Stonehenge for that matter, after viewing the film, Curse of the Demon sometime during childhood. The film concerns a highly skeptical scientist portrayed by Dana Andrews who specializes in debunking claims of the supernatural who ironically finds himself confronted by a demonic death curse passed to him by an adept occultist on a parchment containing runic symbols.

The black and white film Curse of the Demon is a British production released in 1958 in the U.S. but was released in the U.K. in its original longer runtime in 1957 as Night of the Demon. This film may seem quaint to modern audiences who have been jaded after being exposed to years of TV watching Buffy the Vampire Slayer, Angel, Vampire Diaries, and of course Supernatural but I think this film is worth watching if for nothing else than to get a glimpse into the hidden risks associated with necromancy and demonolatry.

As might have been expected, none of the references I’ve chosen to use for this writing have even come close to mentioning the use of runes in offensive or demonic ways. To the contrary, Evelyn Green in hir Runes for Beginners book, promotes the “ethical and safe magic”1 that can be derived from runic practices while at the same time acknowledging that runes “were believed to be a good method to help communicate between us here on earth and the supernatural, and many times they were used in spells to provide success or protection.”2 And so, if there are ethical and safe rune uses, then it stands to reason that there are unethical and harmful uses as well.

The ethical and safe uses of runic divination and magic that Evelyn Green and other writers have advocated are to provide the [rune] reader or some other person with guidance or help in navigating life’s path, that is, to “gain insight into a situation or an answer to their questions.”3 Runes don’t provide direct answers to questions put to them, they merely provide hints leaving the reader holding the bag so to speak.4 In other words, runes aren’t used for fortune telling or predicting the future since the “future isn’t really fixed”5 or as it was carved on a wooden table, “No Fate.” The following excerpts from Green’s book explain it best:

Before you start to use these runes to help with divination, it is important to understand that what rune readings present to us is not going to be a prediction of fate that we can’t change at all. Instead, a successful type of divination, no matter what kind you use, will be able to provide us with a snapshot at the present moment. It will show us what unseen factors are going on in our situation and can point to the most likely outcome based on the course of action that we are currently on.

This makes them unique. They do not control your destiny, and you can always choose the path that you want to take rather than following this. There is still an element of free will that comes with these. And they are not seen as a form of fortune telling, so they are different from some of the other options that are out there.6

Occasionally though, the writers reveal, however subtly, what is really going on with runic divination practices when they make claims such as, “you can easily override any information about that rune if there is intuition that tells you the meaning should be something different. This is the other realm talking to you and trying to get your attention about what is right and what is not for your own experience.”7

In the context of the runes, the Norse concept of free will allows for actions in the present to affect outcomes in the future, that is, there is no hard and fast concept of a pre-determined destiny since people are capable of changing certain aspects of their fate.8 Do I detect a strain of Norse mythology hypocrisy? Doesn’t the Norse belief in the mythological Ragnarök contradict any notion of free will since not even the gods will be able to prevent it from happening?

On the other hand, Iva Kenaz writes that Odin’s wife Frigg “was naturally clairvoyant, could see beyond the surface of things, and foretell the future.”9 I believe Chamberlain may be incorrect in her assertion about free will and the Norse concept of fate since even the Roman historian Tacitus wrote that “the ancient Germanic peoples believed that there was something sacred in women and that they had a gift to foresee future events.”10

So, based on Norse mythology and Tacitus’ writings, are women more inclined to be adept runemasters? Well, according to Iva Kenaz, “women seem to access their unconscious better”11 which may coincide with the intuition that Green referenced. Chamberlain adds that in addition to having a “special aptitude for magical work,”12 the practitioner is required to dedicate themselves to a certain amount of “study and discipline.”13 Or, it may just be that women have been so predisposed since creation. (Gen. 3:6)

Free will and fortunetelling are mutually exclusive concepts because how can you foresee something that may or may not actually happen? The ability to foresee the future is only possible if that future is already pre-determined. Free will is the fortuneteller’s malpractice insurance. As Chamberlain has written, “when it comes to reading the runes—if there were no way to have any affect [sic] on future outcomes, then why bother with divination, or any other form of magic, in the first place?”14 I agree, why bother?

Divination is not exclusively relegated to the domain of the occult. A form of divination was used by the apostles when they cast lots to determine who would replace Judas. (Acts 1:26) The casting of lots is synonymous with the casting of runes according to Vivienne Grant’s book.15 As it was, the apostles called upon the name of the Lord before they cast lots. (Acts 1:24-25 NASB) I wonder who runemasters call upon?

This post on the runes is actually an addendum to my two previous posts on the Celts and Norsemen since the origins and uses of the runes have been traced back to both cultures.

While the exact origins of the runes are the subject of debate, the Norse people have no doubt as to their origin, they were a gift from the gods16 to “Alfadir, Alfadir, or Allfather, Odin.”17 Chamberlain even goes so far to say that “the runes are eternal—they have always existed.”18

On the other hand, historians seem to lean towards the theory that the runes originated with the “Goths, a race of East-Germanic people.”19

The common thread that runs through the translations of our English word rune in all cultures are the words: “secret,” “whisper,” and “mystery.”20 21 Chamberlain adds the words: “magic,” and even “spells or incantations” to the list of definitions.22

The occult nature of the runes precluded their use as a general writing system for communications in the vernacular but were instead used as “magical signs”23 and eventually as a “tool of divination.”24 Runes were used for magical purposes long before they were used as a writing system.25

The runes are a cipher and would be useless to anyone who didn’t possess the necessary decryption key.

Some scholars trace the word ‘rune’ back even further to the prehistoric Proto-Indo-European language, which is believed to be the ancestor of many later ancient languages. These linguistic roots pre-date the use of runic characters for writing, which tells us that runes belonged to the world of mystery and magic well before they became a system of writing. Indeed, as we will see throughout this guide, their role as a means of ordinary communication barely scratches the surface of what these ancient symbols were—and still are—capable of.26

While most people in today’s popular culture would associate the Celts or Celtic culture with Ireland, the Celts as a people occupied a significant portion of Western Europe including northern Italy, Switzerland, Germany, and France (Gaul) along with the United Kingdom. In fact, the Gallic people, as they were known to the Romans, actually referred to themselves as Celts according to Julius Caesar’s writings as early as the 1st century BC.27 According to scholars, what unified the “disparate ancestral tribal cultures”28 together was their written language—the Lepontic runes.29

Figure 1. Rune Stone, St. Paul’s Cathedral, London

We will see that it is language that reveals the modern notion of a uniquely characterized, fleshed out, and identifiable Celtic cultural identity, defined by shared similarities among languages, classical texts, works of art, tangible historic artifacts, and even social organization and mythology.30

According to various sources on Celtic spirituality, more than 700 Celtic gods have been identified from Gaul, and while these were local gods, they were not part of an official pantheon.31

As I discussed in my earlier post on the Celts, many of the gods and goddesses such as the Scottish goddess Brighid could “shift between various animal forms, such as snakes and cattle.”32 In addition, the theme of “triplicity”33 was prevalent in Celtic spirituality as some important deities would appear in sets of three.34

According to Thompson, “the earliest records of runes date back to 150AD”35 Thompson also claims that the runic alphabets were originally derived from “Old Italic”36 alphabets since their existence can be traced back several hundred years before the establishment of the Germanic runic alphabet.37

Runic script is composed of 24 letters divided into three groups of eight called aettir or families. The oldest script called the Elder Futhark was derived from the old Germanic alphabet.38 The first six letters of the alphabet “sounded like f, u, th, a, r, and k, giving the alphabet its distinct name: futhark.”39

Contrary to conventional wisdom, “Germanic tribes were peaceful, lived in harmony with nature, and had a special relationship with the dense, dark forests” according to the Roman historian Tacitus.40 The Germanic tribes connected with or worshiped local nature deities who were considered kindred spirits with the people unlike the Roman gods and goddesses who were part of an official ascendant pantheon.41

Kenaz writes that the runes belong to the geometry of creation:

The runic characters are made from crossing and triangular shapes, and they can all be derived from the six-fold pattern of the hexagon, hexagram, and the six-pointed star, also known as the snowflake pattern, which has actually been a common depiction of the Tree of Life throughout ancient history.42

Kenaz continues with hir claim that the Germanic and Norse peoples probably represented the Yggdrasil or Tree of Life as a six-pointed star which is derived from the Flower of Life—the blueprint of creation.43

Kenaz in hir book, Runes: Magical Codes of Nature, provides a lengthy discussion of how the runes, frozen water molecules, DNA and other phenomenon are related to the Flower of Life geometrical pattern. An in-depth study of Sacred Geometry is beyond the scope of this post; however, I tried a simple experiment using the snowflake pattern in Figures 2 and 3. Note that I followed the rules for Germanic runes in that there are no horizonal lines, only vertical and diagonal strokes.44

Figure 2. Six-Pointed Star
Figure 3. Hooked Cross

A final thought concerning runes. Was Jesus writing on the ground in cipher when the scribes and Pharisees challenged Him to condemn the woman taken in adultery? (John 8:1-11) The Scripture doesn’t give us an explanation as to what Jesus was writing, to whom He was writing, or why He was writing what He was writing. Could it have been some form of ancient runic script? We just don’t know.

As the Scripture teaches, “The secret things belong to the LORD our God.” (Deut. 29:29)

©2013-2024 Gerard Sczepura. All rights reserved.


  1. Green, Evelyn. Runes for Beginners: The Complete and Practical Guide to Read and Interpret Runes in Divination and Magic, and Discover the Meaning and Secrets of the Elder Futhark Alphabet. Kindle Edition. 

  2. Ibid. 

  3. Ibid. 

  4. Ibid. 

  5. Ibid. 

  6. Ibid. 

  7. Ibid. 

  8. Chamberlain, Lisa. Runes for Beginners: A Guide to Reading Runes in Divination, Rune Magic, and the Meaning of the Elder Futhark Runes (p. 16). Chamberlain Publications. Kindle Edition. 

  9. Kenaz, Iva. Runes: Magical Codes of Nature (p. 58). Kindle Edition. 

  10. Ibid., 66. 

  11. Ibid., 58. 

  12. Chamberlain, Runes for Beginners, 19. 

  13. Ibid. 

  14. Ibid., 16. 

  15. Grant, Vivienne. Runes for Beginners: Your Complete Beginner’s Guide to Reading Runes in Magic and Divination. Kindle Edition. 

  16. Thompson, Sarah. Runes: Learn Everything about: Runes, Celtic Religions and Celtic History (Viking History, Norse Mythology, Celtic, Wicca, Divination, Fortune Telling, Celtic Religions) (p. 14). Kindle Edition. 

  17. Grant, Runes for Beginners

  18. Chamberlain, Runes for Beginners, 14. 

  19. Grant, Runes for Beginners

  20. Thompson, Runes: Learn Everything about, 14. 

  21. Chamberlain, Runes for Beginners, 5. 

  22. Ibid. 

  23. Green, Runes for Beginners

  24. Ibid. 

  25. Chamberlain, Runes for Beginners, 1. 

  26. Ibid., 5-6. 

  27. Thompson, Runes: Learn Everything about, 79. 

  28. Ibid., 80. 

  29. Ibid. 

  30. Ibid., 81. 

  31. Ibid., 123. 

  32. Ibid., 121. 

  33. Ibid., 117. 

  34. Ibid. 

  35. Ibid., 8. 

  36. Ibid., 15. 

  37. Ibid. 

  38. Green, Runes for Beginners

  39. Grant, Runes for Beginners

  40. Kenaz, Runes: Magical Codes of Nature, 14. 

  41. Ibid. 

  42. Ibid., 31. 

  43. Ibid., 34. 

  44. Thompson, Runes: Learn Everything about, 15-16. 

GOD & the Gods: The Celts

Today, the terms Celt and Celtic are primarily associated with Ireland, but the Celtic speaking peoples originated in the Caucasus, the area between the Caspian Sea and Black Sea. The Celts and Italic speaking people derived from these Indo-European (IE) tribes who migrated westward from the Caucasus into central Europe. It’s also noteworthy that the Caucasus is located relatively close to northern Iraq where tradition holds was the site of the Garden of Eden, the Tower of Babel, and Abraham’s original homeland.

Any study of the Celts or Celtic religion is impossible without encountering numerous references to Indo-Europeans, Aryans, Indo-Aryans, Greeks, Romans, Gaul, Caesar, Pythagoras, and the Druids.

Interestingly, the Celts are related to the Indo-Aryan peoples who migrated from northern India and Iran.

It is not the intent of this writing to cover any of the goddesses or gods in any depth, that has already been accomplished by other writers. I would recommend Sarah Owen’s excellent book, Celtic Spirituality: A Beginners Guide for a concise list of the names of Celtic gods and goddesses along with a brief description of each.

The GOD of the Bible is always referenced in masculine terms such as “Abba! Father!” (Mark 14:36, Rom. 8:15, Gal. 4:6 NASB) In addition, Jesus opens His well-known prayer delivered during the Sermon on the Mount with: “Our Father who is in Heaven…” (Matt. 6:9) On the other hand, the Celts regarded the feminine nature Goddess over any masculine counterpart.1

In Christianity, believers worship or communicate with GOD “in spirit and truth,” (John 4:23) but in Celtic religion communion with the Goddess is through being one with nature.2

Edward Anwyl, a Welsh academic who specialized in Celtic languages, points out that the Celtic religion held that spirits (deities) inhabited natural objects such as trees, rivers, lakes, and mountains. He also goes on to explain that certain deities also took on the form of certain animals such as the bear, horse, and surprisingly, swine.3

Sarah Owen takes Anwyl’s animism discussion a step further when she claims that the Celtic deities were able to take on various animal forms at will, i.e., shapeshifting,4 a concept confirmed by MacCulloch.5

The Celtic priests, i.e., the Druids, especially revered trees—the oak tree in particular. Druids believed the oak tree represented death and re-birth and that “oak to be the tree of life at the centre of the earth,” and that the “oak tree was a doorway to other worlds.”6

For they exchanged the truth of God for a lie, and worshiped and served the creature rather than the Creator, who is blessed forever. Amen. (Rom. 1:25)

The Greek philosopher Pythagoras, well known for the mathematical theory (a2 + b2 = c2) that bears his name, also believed in the immortality of the soul and in reincarnation. Given the apparent resemblance of Pythagoreanism with the druidic beliefs concerning the soul, the Druids have come to be regarded as philosophers by some.7

GOD and the Celtic gods and goddesses all share the attribute of being invisible.8

The Celtic gods and goddesses also possess the attribute of immortality9 however, by no means do any of them claim to possess the “omni” attributes, which are: omnipotence, omnipresence, and omniscience, these three attributes are exclusively reserved for GOD. Furthermore, none of the Celtic gods or goddesses claimed to have always existed, that is, having no beginning and no end, as the GOD of the Bible has claimed. (Heb. 7:3)

The Celtic gods and goddesses were by no means chaste; they frequently mated with mortals. Goddesses preferred to mate with heroes and the gods with mortal women.10 The Tuatha Dé Dannan, a divine race of people, were believed to have descended from the Goddess Danu.11 This divine race of people possessed all the attributes discussed earlier; they were skilled warriors and magicians; they were also some new kind of hybrid beings who were immortal and yet could still be killed; they were shapeshifters and could become invisible at will.12

Owen goes on to write that the Tuatha Dé Dannan “deified” their people who had become adept scientists and engineers. These engineers are believed to be the ones most likely responsible for the design and construction of the stone circles that can be found throughout Britain today.13

Stonehenge
Figure 1. Stonehenge

Many Celtic beliefs and traditions have been adopted by the Church for example: the Christmas tree, the Yule Log, and mistletoe. These are traditions, but what about Church teachings? Maybe the Celts had more influence on Christian doctrine than we have been led to believe. Marie-Louise Sjoestedt in her short but dense book, Celtic Gods and Heroes, writes that “the number three plays a large part in Celtic tradition.”14 The number three is important in Christian theology as well given the “notion of one God existing in multiple persons”15 is referred to as the “Trinity.” Sjoestedt goes on to write: “…the ‘triad’, a formula which combines three facts or three precepts, is a genre which dominates the gnomic literature of both Wales and Ireland, and triple personages or trios are prominent in the epic tradition of the two peoples.”16

Celtic tradition uses the terms “Threefold One” and “Triple Goddess” when referring to the nature or earth Goddess.17 The term “Threefold One” can also be understood as “Three in One.” Were the Celts influenced by Christian doctrine or was it the other way around? The doctrine of the “Trinity” is a derived teaching based on interpretation since the word itself doesn’t appear in the Bible.

Celtic beliefs and influences have not been lost on today’s pop culture either as evidenced by the following examples:

Fleetwood Mac’s hit song “Rhiannon” is named after a Celtic goddess whose name is “a corruption of Rigantona, ‘great queen’.”18

Enya (Eithne Pádraigín Ní Bhraonáin), an Irish singer, songwriter, musician and producer famous for her New-age music notably her record albums entitled The Celts and Memory of Trees.

Celtic Women, an all-female (emphasis added) Irish musical ensemble.

Earth, Wind & Fire, a popular 1970s music group. Does their name include a possible reference to “Druidic Wind?”19

Or how about The Twilight Zone episode “Mirror Image” where a woman waiting in a bus terminal has an encounter with her “doppelganger,” according to IMDb. However, it could also be that the woman had an encounter with the Faery world. Owen writes that “®he Faery world mirrors our ordinary world. Whatever is found in one world has a reflection or polar partner in the other.”20 Was Rod Serling, the episode writer, influenced by Celtic mythology?

Celtic themes have also appeared in more recent films including: Merlin, the warrior-magician, and the legend of Excalibur in The Last Legion; and the Picts in Centurion.

Lastly, I believe many current political and social movements are rooted in the Celtic and Druidic belief system, namely globalism, feminism, and environmentalism. The relationship between feminism and environmentalism with Celtic beliefs should be obvious from the arguments cited earlier in this writing. But what about globalism? Again, Owen writes that in Celtic spirituality all are one with the elements, e.g., “oneness.”21 Even though the concept of “oneness” is primarily described as being in tune with nature, it wouldn’t be much of a stretch to apply the concept to all people and geographical locations.

©2013-2024 Gerard Sczepura. All rights reserved.


  1. Sarah Owen, Celtic Spirituality: A Beginners Guide, (Printed by CreateSpace, 2018), 33. 

  2. Ibid. 

  3. Edward Anwyl, Celtic Religion in Pre-Christian Times, (Boston, Adamant Media Corporation, 2005), 39-41. 

  4. Owen, Celtic Spirituality, 39-40. 

  5. J. A. MacCulloch, The Religion of the Ancient Celts (p. 216). Kindle Edition. 

  6. “Nine Sacred Trees of the Druids,” Maureen McGhee, posted April, 03, 2014, https://www.maureenmcghee.com/news/2/

  7. Anwyl, Celtic Religion, 58-59. 

  8. MacCulloch, The Religion of the Ancient Celts, 216. 

  9. Ibid. 

  10. Ibid. 

  11. Owen, Celtic Spirituality, 35. 

  12. Ibid., 36. 

  13. Ibid. 

  14. Marie-Louise Sjoestedt, Celtic Gods and Heroes, (Mineola, NY, Dover Publications, Inc., 2000), 17. 

  15. Gerard Sczepura, “GOD & the Gods: One God,” Theological Ruminations (blog), October 22, 2017, http://gerardsczepura.com/god-the-gods-one-god/

  16. Sjoestedt, Celtic Gods and Heroes, 17. 

  17. Owen, Celtic Spirituality, 33. 

  18. MacCulloch, The Religion of the Ancient Celts, 182. 

  19. Sjoestedt, Celtic Gods and Heroes, 11. 

  20. Owen, Celtic Spirituality, 54. 

  21. Ibid., 60-61.